Where Do Rappers Get Their Chains From

Where Do Rappers Get Their Chains From – A sensible approach is not to put it into practice and behavior that is best explained by economics. This principle is difficult to apply because the economic effects at work in any case are sometimes invisible. It’s easy to see the results, but it’s much harder to see the rational calculations that lead people to make choices.

For example, why are rap artists, pimps and drug dealers so fond of wearing symbols of wealth such as gold chains, hair, gold bars on teeth and snake heads. wood etc. The most popular answers are all the same: it’s about showing signs of courage and status. Showing off your clothes and jewelry is part of the culture of these companies, a way to show your success to others.

Where Do Rappers Get Their Chains From

This has long been believed to be true, especially since the culture has been associated with African-American culture. Take “Puttin'” by Irving Berlin on the Ritz with lyrics and music from 1927. The purpose of the song (in the original version) was to mock the signs of prosperity in Harlem, and especially the black people of the time who spent their money on party clothes and show every sign of wealth.

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Song argues that this is a creatively motivated behavior that represents a loss rather than a real success.

It’s a fun song, but there’s real bite here, especially the last line. The bottom line is that these people (take the line about “high browns”?) Can’t save money, don’t understand frugality, are only interested in public displays that don’t amount to anything. It was the traditional network for social and economic exclusion and suppression of non-whites during brutal zoning and segregation.

Today, when people look at the gold chain fashion of rap stars and businessmen, the assumption remains the same. And so far there is a grain of truth in the idea that it is a microculture based on certain human beings; The real question is: what are the economic forces that created this trend?

What if there is another reason for entering the text that speaks to a different economic analysis? Rap and hip-hop came from the gangster culture of marginalized groups who did what they had to do to survive. People in these professions deal with a high degree of legal risk (or sing about people exposed to such risk). Prostitution, drugs, etc. Contradictory laws mean that people who do these jobs are at risk of getting into trouble with the law, the police and the courts.

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They have also learned to trust formal institutions such as banks and third-party intermediaries. They can’t get money, they can’t get credit, and they don’t want them anyway. This song was written in 1927 and only 6 years later it became clear that the banks’ disunity was well founded when FDR closed the banks and devalued the currency. It is wise to keep your wealth in gold and other high quality products.

But more to the story. In the American tradition of policing and corrections, the police have no problem freezing your bank assets, repossessing your car, even confiscating and confiscating your home. When you are taken, whatever you have on your person will be returned to you later. It is your property and you will be given a certificate for standard police work. But it depends on whether you have it on your back or in your hand during the arrest.

I remember when they arrested me for not paying the tax. The police refused to let me put anything back in my car. Even my car is impounded. But what I was carrying at that time came to me, and then they went into the prison box, which I soon borrowed after they were imprisoned.

The police take and keep a lot of money, but they also find jewelry, hair, drinks, and more. not accepted and killed. This is a unique feature of American immigration logistics, but it is well known in areas where illegal activity has grown. If so, it makes sense to carry as many of your valuables with you as possible to make them easier to charge in the event of an arrest.

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National Public Radio interviews famous pawn shop owner Rick Harrison. It gives more information about bail.

“When you get arrested for battery, they take your money — because the money is never taken — but they don’t take your jewelry,” Harrison explained. “And a pimp knows that if you buy jewelry from a pawn shop, bring it back to the pawn shop, and get credit for it, [they] usually get half of what you paid for it. – as opposed to buying from a jewelry store. store when [they] don’t know what they’re going to get.” Therefore, when they are caught, someone will bring me their jewelry. I’ll lend them half of what they paid – that’s their bail.”

We can see, then, that this long-established behavior is not ethnic or even class-based, but rooted in the legal need to enforce certain economic decisions on the entire community. It’s a matter of self-interest, something everyone does. The habit then took hold and became part of the group’s culture, even being exported abroad to different countries where the music and culture were adopted.

So there is a reason for the song about businessmen, rappers and pimps who wear their money. It all comes down to the legal pit that separates their work and art from civil actions. If you want to keep your presence and prevent the police from stealing, it is better to carry it with you.

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Jeffrey A. Tucker served as editorial director of the American Institute for Economic Research from 2017 to 2021.

Sponsor the work of economists and graduate students as they advance the study of economic principles that support human well-being and progress. Take, for example, one of the greats of hip-hop — The Notorious B.I.G. The last necklace Biggie wore was a pendant made by Jesus. Tito Jeweler

The frozen chain is one of the Big Three purchased for $30,000. According to MTV News, he bought one for himself, one for Lil Cez and one for his best friend Damion “D-Roc” Butler.

When Big died, one of the pendants was set aside for his son CJ. But it didn’t stop there – in JAY-Z’s book

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“The chain is a Jesus thing – the Jesus thing that Biggie used to wear,” Jay wrote. “Part of my routine when I’m recording an album is that I lay on Jesus’ side and grow my hair until I’m done.

Of course, Biggie is not the only musician who loves big jewelry – a trend that started in the early 80s with pioneer groups like Run DMC and artists like Slick Rick, who became famous for his big chains .

In the late 90s and early 2000s, hip-hop artists were becoming more and more popular. As more money comes into hip-hop, life expands, and so does jewelry.

In the 80s and early 90s, a gold chain would cost a rapper about $20,000. In the late 90s and early 2000s, rappers began spending between $75,000 and $100,000 on jewelry. a chain

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While beautiful gold chain chains were still in fashion, in 1999 platinum and diamonds would come in and completely change the game.

Nas’ King Tut series first appeared in 1999. The pendant is made of diamonds and is valued at $65,000.

During this time, hip-hop artists began turning their record labels and crew names into pendants paying hundreds of thousands of dollars. Jewelry is not just for decoration, it has become part of hip-hop culture and marketing.

For example, when a new artist is signed to JAY-Z and Dame Dash’s Roc-A-Fella Records label, they receive a Roc-A-Fella chain to commemorate the event. Each Roc-A-Fella necklace is designed by Jacob Zerger and is valued at $100,000.

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Death Row Records, Bad Boy Records, Sic Wid It Records, Cash Money Records, and Limited Records are just a few labels that create unique labels that artists wear like chains to show their loyalty.

However, there is a downside to getting a diamond studded pendant. Having a lot of money around your neck will automatically make you want to mug and grab your chain – just ask Young Berg, Fetty Wap, or Tyga.

In 2009, Houston artist Mike Jones had his famous 100-pound “Ice Age” pendant stolen.

“They stole the [white platinum] chain, necklace and watch, but I still have my ring,” he said.

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